https://femaleartistindexvienna.cargo.site Female* Artist Index Vienna Sun, 07 Jul 2024 15:58:56 +0000 https://femaleartistindexvienna.cargo.site en https://femaleartistindexvienna.cargo.site/Home-Slideshow Wed, 27 Jan 2021 17:06:38 +0000 Female* Artist Index Vienna https://femaleartistindexvienna.cargo.site/Home-Slideshow https://femaleartistindexvienna.cargo.site/Ana-de-Almeida Wed, 27 Jan 2021 17:06:43 +0000 Female* Artist Index Vienna https://femaleartistindexvienna.cargo.site/Ana-de-Almeida ANA DE ALMEIDA&nbsp; <img width="1580" height="1512" width_o="1580" height_o="1512" data-src="https://freight.cargo.site/t/original/i/f40b80666ee3a647d130f8186f2c13a120aca06241f905dd4482de36ffa0b0b3/bright.png" data-mid="152894649" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/f40b80666ee3a647d130f8186f2c13a120aca06241f905dd4482de36ffa0b0b3/bright.png" /> Ficou a ver&nbsp; &nbsp;&nbsp; passar&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;navios.”&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; #ARTS-BASED RESEARCH&nbsp; &nbsp; #ARCHITECTURE &nbsp;#COMMONS &nbsp;#INSTALLATION&nbsp; &nbsp; &nbsp;#SPACE&nbsp; &nbsp;#MULTIMEDIA&nbsp; &nbsp;#IDENTITY&nbsp; &nbsp;#PERFORMANCE &nbsp;#NEO-COLONIAL&nbsp; &nbsp;#VIDEO&nbsp; &nbsp;#GENDER BIO. &nbsp;Ana de Almeida (b.1987) is an artist and author from Lisbon, currently based in Vienna. She is a member of the artists’ collective dienstag abend of VBKÖ and of the Interndinner collective against precarization of work in the cultural field. Her artistic practice addresses memory and remembering processes, narrative constructions that connect space and subject, and plurispatial and multilayered narratives in general. Ana de Almeida is currently a Ph.D. candidate at the Academy of Fine Arts of Vienna, pursuing a doctoral thesis about the production of images in the 1974—1989 inter-revolutionary space between the Carnation and the Velvet Revolutions. www.anadealmeida.com &nbsp; &nbsp; mail&nbsp; &nbsp; &nbsp;instagram&nbsp; &nbsp; facebook &nbsp;&nbsp; other <img width="4564" height="3043" width_o="4564" height_o="3043" data-src="https://freight.cargo.site/t/original/i/b6f55837b1ffe3c6ff756bc3de065511083171bc6d5d9e658560465b9fc91965/deAlmeida_1_NOVA_CopyrightKunsthalleWienAnadeAlmeidaAlicjaRogalskaandVanjaSmiljanic_04.JPG" data-mid="96689992" border="0" src="https://freight.cargo.site/w/1000/i/b6f55837b1ffe3c6ff756bc3de065511083171bc6d5d9e658560465b9fc91965/deAlmeida_1_NOVA_CopyrightKunsthalleWienAnadeAlmeidaAlicjaRogalskaandVanjaSmiljanic_04.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c474f9023d9346e3da57591e5f5392f35623549d29766f67f34f9c8f1e54dd82/deAlmeida_1_NOVA_CopyrightKunsthalleWienAnadeAlmeidaAlicjaRogalskaandVanjaSmiljanic_05.JPG" data-mid="96689993" border="0" src="https://freight.cargo.site/w/1000/i/c474f9023d9346e3da57591e5f5392f35623549d29766f67f34f9c8f1e54dd82/deAlmeida_1_NOVA_CopyrightKunsthalleWienAnadeAlmeidaAlicjaRogalskaandVanjaSmiljanic_05.JPG" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/ef18abf7fbd796e96fe6c70aac1b945c64686f2c87ae815427becc886f42cd4a/deAlmeida_1_NOVA_CopyrightKunsthalleWienAnadeAlmeidaAlicjaRogalskaandVanjaSmiljanic_02.JPG" data-mid="96689989" border="0" src="https://freight.cargo.site/w/1000/i/ef18abf7fbd796e96fe6c70aac1b945c64686f2c87ae815427becc886f42cd4a/deAlmeida_1_NOVA_CopyrightKunsthalleWienAnadeAlmeidaAlicjaRogalskaandVanjaSmiljanic_02.JPG" /> <img width="3492" height="5232" width_o="3492" height_o="5232" data-src="https://freight.cargo.site/t/original/i/7052d45049f4b6601e7aced6bc35a529690dacce3652f2210d44630fd3ce2e15/deAlmeida_1_NOVA_CopyrightKunsthalleWienAnadeAlmeidaAlicjaRogalskaandVanjaSmiljanic_03.JPG" data-mid="96689991" border="0" src="https://freight.cargo.site/w/1000/i/7052d45049f4b6601e7aced6bc35a529690dacce3652f2210d44630fd3ce2e15/deAlmeida_1_NOVA_CopyrightKunsthalleWienAnadeAlmeidaAlicjaRogalskaandVanjaSmiljanic_03.JPG" /> <img width="5352" height="3568" width_o="5352" height_o="3568" data-src="https://freight.cargo.site/t/original/i/6574a181fd5f24223d55d99811a9e3ebed52ac4965c5dc3b01810c78440d044d/deAlmeida_1_NOVA_CopyrightKunsthalleWienAnadeAlmeidaAlicjaRogalskaandVanjaSmiljanic_06.JPG" data-mid="96689994" border="0" src="https://freight.cargo.site/w/1000/i/6574a181fd5f24223d55d99811a9e3ebed52ac4965c5dc3b01810c78440d044d/deAlmeida_1_NOVA_CopyrightKunsthalleWienAnadeAlmeidaAlicjaRogalskaandVanjaSmiljanic_06.JPG" /> <img width="4638" height="3093" width_o="4638" height_o="3093" data-src="https://freight.cargo.site/t/original/i/e35e24bfcc581cafa3ae4170658a4e84345e14310b592d6fdd6ecc2f1193c44e/deAlmeida_1_NOVA_CopyrightKunsthalleWienAnadeAlmeidaAlicjaRogalskaandVanjaSmiljanic_01.jpg" data-mid="96689988" border="0" src="https://freight.cargo.site/w/1000/i/e35e24bfcc581cafa3ae4170658a4e84345e14310b592d6fdd6ecc2f1193c44e/deAlmeida_1_NOVA_CopyrightKunsthalleWienAnadeAlmeidaAlicjaRogalskaandVanjaSmiljanic_01.jpg" /> Photos: © Kunsthalle - Wien, Ana de Almeida Alicja Rogalskaand &amp; VanjaSmiljanic NOVA. Future thoughts on surviving together (2020 AT) Live Action Role Play &nbsp; In the future, gender inequality was erased. Nova is a multitude of newly born, radically inclusive and self-managed communities. Heterogeneous in their forms of commoning and social organization, Nova share a vow to never let oppression in any form rise again. Nova. Future thoughts on surviving together is a feminist futurist LARP - Live Action Role Play by Ana de Almeida, Alicja Rogalska and Vanja Smiljanić; directed towards feminist and queer-feminist activists based in Vienna. NOVA is a day of speculative gaming aimed at sharing survival strategies, exercising solidarity and intersectionality, creating solidarity networks and forming new alliances between different emancipatory movements. Together, we created a piece of feminist political fiction - a work in progress and a world free of patriarchal oppression in the making. With: VBKÖ, Saloon Wien, Kunst &amp; Kind, Latinxs Unidxs, Kültür Gemma, Cine Collective, Mala Sirena, female:pressure. <img width="1184" height="690" width_o="1184" height_o="690" data-src="https://freight.cargo.site/t/original/i/594b383637d60867bf4cd2450528e3479d0bd61486c74653a3a10fcf2dfc28a6/1-deAlmeida_2_ACasaatMAAT_CreditsAnadeAlmeida_01.jpg" data-mid="96690005" border="0" src="https://freight.cargo.site/w/1000/i/594b383637d60867bf4cd2450528e3479d0bd61486c74653a3a10fcf2dfc28a6/1-deAlmeida_2_ACasaatMAAT_CreditsAnadeAlmeida_01.jpg" /> <img width="1184" height="690" width_o="1184" height_o="690" data-src="https://freight.cargo.site/t/original/i/25eb58f222aa4e81f5f8537f9c5f5814c57bb220107f5e980f41454d2ae06512/3-deAlmeida_2_ACasaatMAAT_CreditsAnadeAlmeida_04.jpg" data-mid="96690007" border="0" src="https://freight.cargo.site/w/1000/i/25eb58f222aa4e81f5f8537f9c5f5814c57bb220107f5e980f41454d2ae06512/3-deAlmeida_2_ACasaatMAAT_CreditsAnadeAlmeida_04.jpg" /> <img width="1184" height="690" width_o="1184" height_o="690" data-src="https://freight.cargo.site/t/original/i/1e2a5e85ddef28355ccb78ddc244dbcb6424cc39634669086c22d06efc40dadb/4-deAlmeida_2_ACasaatMAAT_CreditsAnadeAlmeida_04.jpg" data-mid="96690008" border="0" src="https://freight.cargo.site/w/1000/i/1e2a5e85ddef28355ccb78ddc244dbcb6424cc39634669086c22d06efc40dadb/4-deAlmeida_2_ACasaatMAAT_CreditsAnadeAlmeida_04.jpg" /> <img width="1184" height="690" width_o="1184" height_o="690" data-src="https://freight.cargo.site/t/original/i/04269f3fc1937d1261f5ffb06215df2e04fa02b3291032076df763a07f02da66/2-deAlmeida_2_ACasaatMAAT_CreditsAnadeAlmeida_04.jpg" data-mid="96690006" border="0" src="https://freight.cargo.site/w/1000/i/04269f3fc1937d1261f5ffb06215df2e04fa02b3291032076df763a07f02da66/2-deAlmeida_2_ACasaatMAAT_CreditsAnadeAlmeida_04.jpg" /> Photos: © Ana de Almeida A Casa / The House The flat / Die Fläche &nbsp;(2018 PT)MDF, stucco-lustro, stereo sound 42'5'' looped Likewise a sculpture, A Casa (The House) shares the aesthetic and architectonic language of the House Wittgenstein in Vienna. The two volumes are a transposition and folding down of two of its architectonic elements: a window and the vestibule door. They serve as display for documental material such as letters and photos and incorporate an audio piece with interviews led by the artist. The surface is covered by stucco-lustro, a coating technique proliferating in Vienna on the turn to the 20th century, similar to how could the original coating of the walls of the House Wittgenstein have looked like before they were painted white after World War II. The highlighting of the stucco-lustro architectonic detail points out to a fundamental discovery for the understanding of the house as aesthetic experiment in which the house interiors, composed by materials which evoke extreme hardness, seem to dematerialize through the highly reflecting properties of the stucco walls. <img width="670" height="447" width_o="670" height_o="447" data-src="https://freight.cargo.site/t/original/i/c2503700394be3c926a736ce978092c13a51e5089871badac791cfb74721ee05/deAlmeida_3_UntitledYellow_CreditsAnadeAlmeidaandStephanieMisa_03.jpg" data-mid="96689999" border="0" src="https://freight.cargo.site/w/670/i/c2503700394be3c926a736ce978092c13a51e5089871badac791cfb74721ee05/deAlmeida_3_UntitledYellow_CreditsAnadeAlmeidaandStephanieMisa_03.jpg" /> <img width="670" height="447" width_o="670" height_o="447" data-src="https://freight.cargo.site/t/original/i/bc534345ff0b7fa554968bcd8a08b72f7f51d3d00777154a0764b1cb9fb703c9/deAlmeida_3_UntitledYellow_CreditsAnadeAlmeidaandStephanieMisa_02.jpg" data-mid="96689998" border="0" src="https://freight.cargo.site/w/670/i/bc534345ff0b7fa554968bcd8a08b72f7f51d3d00777154a0764b1cb9fb703c9/deAlmeida_3_UntitledYellow_CreditsAnadeAlmeidaandStephanieMisa_02.jpg" /> <img width="670" height="447" width_o="670" height_o="447" data-src="https://freight.cargo.site/t/original/i/e1777c198d4f89770bba90613b6a0de9fa7fbd55fff376168ed9e23d21ccc809/deAlmeida_3_UntitledYellow_CreditsAnadeAlmeidaandStephanieMisa_04.jpg" data-mid="96690000" border="0" src="https://freight.cargo.site/w/670/i/e1777c198d4f89770bba90613b6a0de9fa7fbd55fff376168ed9e23d21ccc809/deAlmeida_3_UntitledYellow_CreditsAnadeAlmeidaandStephanieMisa_04.jpg" /> <img width="670" height="447" width_o="670" height_o="447" data-src="https://freight.cargo.site/t/original/i/8a6540650fd9a163164a495cefaf32fc55bae0b587f82a3b0132c369e0502129/deAlmeida_3_UntitledYellow_CreditsAnadeAlmeidaandStephanieMisa_05.jpg" data-mid="96690001" border="0" src="https://freight.cargo.site/w/670/i/8a6540650fd9a163164a495cefaf32fc55bae0b587f82a3b0132c369e0502129/deAlmeida_3_UntitledYellow_CreditsAnadeAlmeidaandStephanieMisa_05.jpg" /> <img width="670" height="447" width_o="670" height_o="447" data-src="https://freight.cargo.site/t/original/i/10f52298b2f8b744e88d42ec51e3415e70cececf9b7a2b18dd3a3f272bfddacd/deAlmeida_3_UntitledYellow_CreditsAnadeAlmeidaandStephanieMisa_06.jpg" data-mid="96690002" border="0" src="https://freight.cargo.site/w/670/i/10f52298b2f8b744e88d42ec51e3415e70cececf9b7a2b18dd3a3f272bfddacd/deAlmeida_3_UntitledYellow_CreditsAnadeAlmeidaandStephanieMisa_06.jpg" /> <img width="670" height="447" width_o="670" height_o="447" data-src="https://freight.cargo.site/t/original/i/f5bf7d0e2a2e8b8b5b8e1e6f47eeda60305bee2f65fbff59263ebf99dee4a05f/deAlmeida_3_UntitledYellow_CreditsAnadeAlmeidaandStephanieMisa_07.jpg" data-mid="96690003" border="0" src="https://freight.cargo.site/w/670/i/f5bf7d0e2a2e8b8b5b8e1e6f47eeda60305bee2f65fbff59263ebf99dee4a05f/deAlmeida_3_UntitledYellow_CreditsAnadeAlmeidaandStephanieMisa_07.jpg" /> Photos: © Ana de Almeida &amp; Stephanie Misa Untitled (Yellow) &nbsp;(2017 PT)Wall, yellow paint, memorabilia, diashow, stereo sound A cooperation between Ana de Almeida (PT/AT) and Stephanie Misa (PH/AT) . This is a project about landscape as formal and informal disposition of elements. Coordinates. An arrangement, a hierarchy: borders and de-limitations, transpositions and transgressions, frames and their inside-outside, margins, and of course landscape — of the geographical, political, personal, and emotional nature. Edouard Glissant’s Traité du Tout-Monde. (Poétique IV), calls it archipelagic thinking, a group of islands that lends its topography to an alternative imaginary: a reassessment of the insularity of bound cultures, of nation-states, and the heaviness of “continental thought”. The archipelago is an alternative imaginary, one that posits that identity could be as a conglomeration of islands (composed of many, yet is one). Identity formation, embodiment, complex colonial histories, evolution, interconnectedness, diaspora and change — Oh to dispell the oppressive idea of nationalistic wholeness! https://femaleartistindexvienna.cargo.site/Ana-Loureiro Wed, 27 Jan 2021 17:06:45 +0000 Female* Artist Index Vienna https://femaleartistindexvienna.cargo.site/Ana-Loureiro ANA LOUREIRO MULTIMEDIA ARTIST BIO. Ana Loureiro (Portugal, 1991) is a visual artist living and working in Vienna. She graduated in Fine Arts - Painting at the Faculty of Fine Arts of Porto University and attended the Academy of Fine Arts Vienna during her last graduation semester. Currently, her artistic practice focuses in the relationship between architecture/space and its inner memories, taking in consideration her personal experience and through a multidisciplinary approach. Her projects have been already presented in several countries: Austria, Germany, Switzerland, Croatia, Belgium, England and Portugal. #COLLAGE &nbsp; &nbsp; #DRAWING&nbsp; &nbsp; &nbsp;#INSTALLATION&nbsp; &nbsp; &nbsp; #DIGITAL &nbsp; &nbsp; #PHOTOGRAPHY&nbsp; &nbsp; #SPACE &nbsp; &nbsp;#ARCHITECTURE&nbsp; &nbsp; &nbsp; #PERCEPTION&nbsp; &nbsp; #VIDEO &nbsp; #DRAWING <img width="1580" height="1512" width_o="1580" height_o="1512" data-src="https://freight.cargo.site/t/original/i/ff3c5bbdc042594113f16cd5d68f8dea0e734b5f67eb261d08144f94dd614cbf/ana-loureiro-portrait.png" data-mid="152894547" border="0" src="https://freight.cargo.site/w/1000/i/ff3c5bbdc042594113f16cd5d68f8dea0e734b5f67eb261d08144f94dd614cbf/ana-loureiro-portrait.png" /> “My focus is on the most hidden introspection.”&nbsp; www.analoureiro.com mail&nbsp; &nbsp; instagram&nbsp; &nbsp; &nbsp;facebook <img width="3840" height="5792" width_o="3840" height_o="5792" data-src="https://freight.cargo.site/t/original/i/431ad182656a0be6e32fe0944b5e4e46136fe4055d7bca69331be834bb14db68/AnaLoureiro_3_PiecesOfIdentity_analoureiro.jpg" data-mid="96690042" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/431ad182656a0be6e32fe0944b5e4e46136fe4055d7bca69331be834bb14db68/AnaLoureiro_3_PiecesOfIdentity_analoureiro.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/7ab95fa84dc01f6795569006e9b53fd3d029d83e1c32f6f9b9a75a96ba3fb586/AnaLoureiro_1_SensorySubmersion_analoureiro.jpg" data-mid="96690038" border="0" src="https://freight.cargo.site/w/1000/i/7ab95fa84dc01f6795569006e9b53fd3d029d83e1c32f6f9b9a75a96ba3fb586/AnaLoureiro_1_SensorySubmersion_analoureiro.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/8e7d6c6acad09114fff41e362dd6631e967dd707dbaac60ce75db181dff3252f/AnaLoureiro_2_SensorySubmersion_analoureiro2.jpg" data-mid="96690041" border="0" src="https://freight.cargo.site/w/1000/i/8e7d6c6acad09114fff41e362dd6631e967dd707dbaac60ce75db181dff3252f/AnaLoureiro_2_SensorySubmersion_analoureiro2.jpg" /> Photos: © Ana Loureiro Sensory submersion from Ana Loureiro on Vimeo. Sensory Submersion/ Boundaries of Reality (2020)Photography, animation, video 5:37 min In the project Boundaries of reality was explored the relationships with ourn private spaces, our personal belongings and their inner characteristics. Both in the physical and virtual plans - all inside the four walls of our living space. It is a result of the almost five months analysis of our individual experiences with our houses. That relationship was inevitably intensified due to the pandemic. That new global condition forced us to locked inside our homes for an uncertain period which leaded to new housing meanings and a lost perception of time. Home became a place not just for living our intimacy but also a main stage for outsideroutines and intensive virtual socializing. This project questions the boundaries of reality: when does it start? When does&nbsp; it finish? Is this the true depiction of what happened or result of the imagination? Maybe, a mixture of both. This was a group project together with the artist Marko Lončarević in the frame of the initiative Questionme&amp;Answer <img width="6746" height="4499" width_o="6746" height_o="4499" data-src="https://freight.cargo.site/t/original/i/d898a2c633eadcdaaab842dc48ea9e8945f0faf81af0b4ba302dc295b35cb0a2/AnaLoureiro_1_SoundBox_analoureiro.jpg" data-mid="96690050" border="0" src="https://freight.cargo.site/w/1000/i/d898a2c633eadcdaaab842dc48ea9e8945f0faf81af0b4ba302dc295b35cb0a2/AnaLoureiro_1_SoundBox_analoureiro.jpg" /> <img width="6697" height="4463" width_o="6697" height_o="4463" data-src="https://freight.cargo.site/t/original/i/48639e040ebd24d282552fb13e983ea0b572b84973a9b41399e8befc6bcdaa53/AnaLoureiro_3_ObjectStudy1ScientificDrawingWithTheShellCharacteristic_analoureiro.jpg" data-mid="96690051" border="0" src="https://freight.cargo.site/w/1000/i/48639e040ebd24d282552fb13e983ea0b572b84973a9b41399e8befc6bcdaa53/AnaLoureiro_3_ObjectStudy1ScientificDrawingWithTheShellCharacteristic_analoureiro.jpg" /> <img width="5477" height="3651" width_o="5477" height_o="3651" data-src="https://freight.cargo.site/t/original/i/cb2aa38d83b7321e1e0b085a3f7470fdb58331485a7beabb8ff367b43bd56c0a/AnaLoureiro_2_TheInnerSoundOfThe-Shell_analoureiro.jpg" data-mid="96690053" border="0" src="https://freight.cargo.site/w/1000/i/cb2aa38d83b7321e1e0b085a3f7470fdb58331485a7beabb8ff367b43bd56c0a/AnaLoureiro_2_TheInnerSoundOfThe-Shell_analoureiro.jpg" /> Photos: ©Ana Loureiro Echoic, sound box from Ana Loureiro on Vimeo. Echoic serie (2020) Photography, drawing, painting, sound installation "Echoic", is a result of a long-term reflection about memory and space. About my relationship with the places I lived in and their inner memories. Those memories, subsisted in a plurality of matters: in objects, photographs or documents. Either, in the memory that I had from the houses area and the floor plan drawn. This time a new sensory memory is added: an echoic memory made of sounds which inhabit objects. A sensory memory which records specific auditory informations. For over 20 years, I was revisiting the same region although different beaches. However, with the same involuntary act of collecting shells. With the innocent intention and believe of bringing a small piece of the ocean to home. This was not a random souvenir. It was created by Nature and it preserves all of its characteristics. It preserves a sound from its habitat, which is audible when it’s close to the ear. At that point, the two subcategories of sensory memory – the iconic and the echoic – intersect. <img width="5916" height="4000" width_o="5916" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c100f3db342cd394aaa075820e71bab3b9a9c469dfa92380da27433d4382e67c/AnaLoureiro_1_Tellmehowwasyourday_analoureiro.jpg" data-mid="96690054" border="0" src="https://freight.cargo.site/w/1000/i/c100f3db342cd394aaa075820e71bab3b9a9c469dfa92380da27433d4382e67c/AnaLoureiro_1_Tellmehowwasyourday_analoureiro.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d0590244168500d39b6b1613cfbfb9acb3058ceeeb500644b57e10b0bd9408e9/AnaLoureiro_3_Tellmehowwasyourday_analoureiro.jpg" data-mid="96690056" border="0" src="https://freight.cargo.site/w/1000/i/d0590244168500d39b6b1613cfbfb9acb3058ceeeb500644b57e10b0bd9408e9/AnaLoureiro_3_Tellmehowwasyourday_analoureiro.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/ac8ed13cce66bb24f6b181f089c8c83acdbc158d1acfb047e917cd77afa1c0c4/AnaLoureiro_2_Tellmehowwasyourday_analoureiro.jpg" data-mid="96690055" border="0" src="https://freight.cargo.site/w/1000/i/ac8ed13cce66bb24f6b181f089c8c83acdbc158d1acfb047e917cd77afa1c0c4/AnaLoureiro_2_Tellmehowwasyourday_analoureiro.jpg" /> Photos: ©Ana Loureiro Tell me how was your day? Fragments of a trapped soul (2020)Photograghy “Tell me, how was your day? Fragments of a trapped soul” is a daily series of small format photos instax mini fujifilm which documents and portraits my relationship with my home during the isolation days. That relationship was intense since the office, sleeping area and kitchen are all in the same place. It is a very mysterious approach that depicts the progressive dissolution of boundaries between the house’s divisions and between what meant to remain private or public. My body freedom was trapped during more than 2 months inside less than 30 m2 which led to repercussions in my psychological and physical well-being. In every photo is registered the day and month that it was taken followed by a word or a sentence which describes the scene or object. Sometimes in a direct way other times subliminal and more like a mirror of my mental state with a touch of irony. https://femaleartistindexvienna.cargo.site/Anna-Watzinger-1 Thu, 14 Jul 2022 17:31:37 +0000 Female* Artist Index Vienna https://femaleartistindexvienna.cargo.site/Anna-Watzinger-1 ANNA WATZINGER “TranZ_something between space and time, Prozessgestalt_moving sculpture, Binärkörper_bodyscreen, Rainbow_ the beauty of fractionizing things. ” #ARTS-BASED RESEARCH&nbsp; &nbsp; &nbsp;#BIO&nbsp;&nbsp; &nbsp; #BODY&nbsp; &nbsp; &nbsp;#ECOLOGY &nbsp; &nbsp;&nbsp; &nbsp;#DIGITAL&nbsp;&nbsp; &nbsp;#EXISTENTIAL&nbsp; &nbsp;#COMMONS&nbsp; &nbsp; &nbsp; #ELECTRONICS&nbsp; #LANGUAGE&nbsp; &nbsp; &nbsp;&nbsp;#FABULATION &nbsp; &nbsp; #HACKING&nbsp; &nbsp;&nbsp;#INSTALLATION &nbsp; #INTERACTIVE&nbsp; &nbsp; &nbsp;#MULTIMEDIA&nbsp; &nbsp; #ONTOLOGY&nbsp; &nbsp; &nbsp;#PERFORMANCE&nbsp; &nbsp;#SCIENCE&nbsp; &nbsp; #SPACE&nbsp; &nbsp; &nbsp;#SCULPTURE&nbsp; &nbsp; &nbsp; &nbsp;#VIDEO BIO. Anna Watzinger, based in Vienna (A), holds a diploma in sculpture from the Vienna Art School and a degree in digital/media art from the University of Applied Arts Vienna and works within various media, subjects and projects, focusing on this liquid space of encounter of different things and phenomenon. She showed her work in many places in Vienna and abroad, including an artist in residency; received an award of KÖR and was/is member of different art collectives. She is one of these artists who lives for art but not living from art ;) . &nbsp; https://annawatzinger.com/ mail&nbsp; &nbsp; facebook &nbsp; vimeo <img width="1580" height="1512" width_o="1580" height_o="1512" data-src="https://freight.cargo.site/t/original/i/abab94ac3b61a94d56b10491fbbc902f3a3e8b0476184807190a0f93440660b2/portrait-Anna-Watzinger.png" data-mid="152889822" border="0" src="https://freight.cargo.site/w/1000/i/abab94ac3b61a94d56b10491fbbc902f3a3e8b0476184807190a0f93440660b2/portrait-Anna-Watzinger.png" /> <img width="3838" height="1874" width_o="3838" height_o="1874" data-src="https://freight.cargo.site/t/original/i/fe9eef6c8f3a177a2479b8b30d3a66fd214c1b41b36b4e1591d6a15dd2b30489/1_anna-watzinger_artwork-1_-sr7.0-website-visualization-prolog.jpg" data-mid="147880651" border="0" src="https://freight.cargo.site/w/1000/i/fe9eef6c8f3a177a2479b8b30d3a66fd214c1b41b36b4e1591d6a15dd2b30489/1_anna-watzinger_artwork-1_-sr7.0-website-visualization-prolog.jpg" /> <img width="5142" height="2349" width_o="5142" height_o="2349" data-src="https://freight.cargo.site/t/original/i/4e9d38cbe2844db41903931e7235e9a8d0ddeee95ca4c6ee8b043c14cf858e1e/2_anna-watzinger_artwork-1_-sr7.0-website-visualization-3Dhome-all-chapters.jpg" data-mid="147880665" border="0" src="https://freight.cargo.site/w/1000/i/4e9d38cbe2844db41903931e7235e9a8d0ddeee95ca4c6ee8b043c14cf858e1e/2_anna-watzinger_artwork-1_-sr7.0-website-visualization-3Dhome-all-chapters.jpg" /> <img width="6293" height="1695" width_o="6293" height_o="1695" data-src="https://freight.cargo.site/t/original/i/fdf891cea1ab3a670a2e11ddbf9887a9a98e55128f31ec9f586891c39e2c1988/3_anna-watzinger_artwork-1_-sr7.0-website-visualization-chapter-one-.jpg" data-mid="147880686" border="0" src="https://freight.cargo.site/w/1000/i/fdf891cea1ab3a670a2e11ddbf9887a9a98e55128f31ec9f586891c39e2c1988/3_anna-watzinger_artwork-1_-sr7.0-website-visualization-chapter-one-.jpg" /> © Anna Watzinger www.smartrainbow7punkt0.systems&nbsp; &nbsp;(2021) Website, 3D home is interactive, in cooperation with Laurus Edelbacher The source of the smart rainbow 7.0 website www.smartrainbow7punkt0.systems respresents the multimedia installation smart rainbow 7.0. Those links the error display of (older) macOS operating computer systems (“rotating rainbow cursor") with both the meteorological phenomenon of the rainbow and the topic of global warming by using the consisting elements of the rainbow, (frozen, colored) water and (electric) light for „downloading“ the „rotating rainbow error cursor“ via seven ice sculptures into the real, technical upgraded space of a freezer box. In line with the third participation of smart rainbow 7.0 at the exhibition “Καιρός – recall of earth III“ by Sophia Panteliadou at AIL Vienna, the entire installation including all complementary material (in progress), were precisely "smart rainbow 7.0 – conceptually fractionized” "uploaded” into the virtual online space. Hence these 7 rotating error cursors or floating light particles, which function as the seven chapters of the website, represent each a color of the rainbow, assigned to a media category/form of appearance, whereupon related content is successively uploaded on the media specific online platform/cloud in the www, embedded via inline frame on the website or provided via hyperlink if x-frame lock is active. <img width="3508" height="2131" width_o="3508" height_o="2131" data-src="https://freight.cargo.site/t/original/i/0328d2e73e27e6499dc6507fa601f7436e5fdc9eda35d0ebf27f69e30da4214c/1_anna-watzinger_artwork-2_-semantic-visual-of-insomnia-2.0.jpg" data-mid="147879880" border="0" src="https://freight.cargo.site/w/1000/i/0328d2e73e27e6499dc6507fa601f7436e5fdc9eda35d0ebf27f69e30da4214c/1_anna-watzinger_artwork-2_-semantic-visual-of-insomnia-2.0.jpg" /> Semantic visuals of Insomnia 2.0_ © Anna Watzinger <img width="3838" height="2456" width_o="3838" height_o="2456" data-src="https://freight.cargo.site/t/original/i/665ea13a839a5390037d52ac940c6a0165ee5d28b7ede8a7e134c72779a1ed38/3_anna-watzinger_artwork-2_insomnia-2.0-bed-in-motion.jpg" data-mid="147879975" border="0" src="https://freight.cargo.site/w/1000/i/665ea13a839a5390037d52ac940c6a0165ee5d28b7ede8a7e134c72779a1ed38/3_anna-watzinger_artwork-2_insomnia-2.0-bed-in-motion.jpg" /> <img width="4960" height="2404" width_o="4960" height_o="2404" data-src="https://freight.cargo.site/t/original/i/6e4a072db15dbe86685797c293f2765ce9b35a660cdcf593f45fdca9254c9c92/4_anna-watzinger_artwork-2_-installation-mz-balthazar_left-anna-watzinger-right-video-frame-patryk-senwicki.jpg" data-mid="147879999" border="0" src="https://freight.cargo.site/w/1000/i/6e4a072db15dbe86685797c293f2765ce9b35a660cdcf593f45fdca9254c9c92/4_anna-watzinger_artwork-2_-installation-mz-balthazar_left-anna-watzinger-right-video-frame-patryk-senwicki.jpg" /> <img width="3311" height="1736" width_o="3311" height_o="1736" data-src="https://freight.cargo.site/t/original/i/b2fff66a0ca783bf89a4b7a4e2e1f0cbe1049c60e815da154a2dd4d22bb16938/5_anna-watzinger_artwork-2_-installation-mz-balthazar_video-frame-patryk-senwicki.jpg" data-mid="147880002" border="0" src="https://freight.cargo.site/w/1000/i/b2fff66a0ca783bf89a4b7a4e2e1f0cbe1049c60e815da154a2dd4d22bb16938/5_anna-watzinger_artwork-2_-installation-mz-balthazar_video-frame-patryk-senwicki.jpg" /> Video frames © Patryk Senwicki &amp; Anna Watzinger incl. editing <img width="3630" height="2170" width_o="3630" height_o="2170" data-src="https://freight.cargo.site/t/original/i/8e1f935d6a184528908b060667d6f497067e72fe89efff234a116553647dca1d/6_anna-watzinger_artwork-2_-interface-bed-motor-control-.jpg" data-mid="147880240" border="0" src="https://freight.cargo.site/w/1000/i/8e1f935d6a184528908b060667d6f497067e72fe89efff234a116553647dca1d/6_anna-watzinger_artwork-2_-interface-bed-motor-control-.jpg" /> Interface of bed motor control © Anna Watzinger INSOMNIA 2.0_THINGS THINKING DATA DEMONS &nbsp;(2019-20)Sensory Installation INSOMNIA 2.0_ is a sensory installation that deals by means of personal (chronic sleep disorders, sleep laboratory), system-critical (24/7 sleepless, monitored 2. 0 society) and atmospheric (#cleanDEEPSkinSCREEN) layers of insomnia, inherent topics (bed-disease-body-functions-monitoring, sleep-dream, object-subject, minimal emotional housing) and possible causes of it (personal/smartphone and collective off-online state/corporate - surveillance) and tries to translate these _ THINGS THINKING DATA DEMONS into a material+technical up to atmospheric adequate appearance of insomnia and surveillance by analyzing the multi-layered sleep laboratory examination. All the excitations of Insomnia 2.0_ are based on the artist's sleep phase curve; these generate the movement of the bed and serve as a template for the overall editing of the 10-channel surveillance monitor video composition of the bed body. The user, lying on the Insomnia 2.0_ bed, literally touches the quality/sleep phases of the artist's sleep. Download whole content: https://fedora.phaidra.bibliothek.uni-ak.ac.at/fedora/get/o:37287/bdef:Content/get <img width="3014" height="1321" width_o="3014" height_o="1321" data-src="https://freight.cargo.site/t/original/i/3fea4aa2ae53d0b38548ed050028799511543238eaff0fbccca8e26296459be9/2-low.png" data-mid="148427159" border="0" src="https://freight.cargo.site/w/1000/i/3fea4aa2ae53d0b38548ed050028799511543238eaff0fbccca8e26296459be9/2-low.png" /> <img width="3836" height="2093" width_o="3836" height_o="2093" data-src="https://freight.cargo.site/t/original/i/d4eac4f3fa1a069021ec799431748d9f0d1bcede7740beeb8e2d1323d7b62227/1_anna-watzinger_artwork-3_mix-of-TMDA-.JPG" data-mid="147880845" border="0" src="https://freight.cargo.site/w/1000/i/d4eac4f3fa1a069021ec799431748d9f0d1bcede7740beeb8e2d1323d7b62227/1_anna-watzinger_artwork-3_mix-of-TMDA-.JPG" /> <img width="3975" height="2539" width_o="3975" height_o="2539" data-src="https://freight.cargo.site/t/original/i/ec865d2f9fcebec4ffb6ff1aab8c5fb3778f0336156a7147e7d91ebc42903787/4_anna-watzinger_artwork-3_studies--moving-object.jpg" data-mid="147881131" border="0" src="https://freight.cargo.site/w/1000/i/ec865d2f9fcebec4ffb6ff1aab8c5fb3778f0336156a7147e7d91ebc42903787/4_anna-watzinger_artwork-3_studies--moving-object.jpg" /> <img width="5671" height="1977" width_o="5671" height_o="1977" data-src="https://freight.cargo.site/t/original/i/19279fa1a07026b0ed2a2f695926df1ecd99ddd942f839e05e5683ad27575738/3_anna-watzinger_artwork-3_-lamella-story-part-2.jpg" data-mid="147880850" border="0" src="https://freight.cargo.site/w/1000/i/19279fa1a07026b0ed2a2f695926df1ecd99ddd942f839e05e5683ad27575738/3_anna-watzinger_artwork-3_-lamella-story-part-2.jpg" /> <img width="3484" height="976" width_o="3484" height_o="976" data-src="https://freight.cargo.site/t/original/i/c2c120cd5ddf283250f1b6cb00082153d5c1abf4af3e1e156239e9d8b3472e7b/6_anna-watzinger_artwork-3_alma-spricht-alma-is-speaking.jpg" data-mid="147881220" border="0" src="https://freight.cargo.site/w/1000/i/c2c120cd5ddf283250f1b6cb00082153d5c1abf4af3e1e156239e9d8b3472e7b/6_anna-watzinger_artwork-3_alma-spricht-alma-is-speaking.jpg" /> <img width="5787" height="1077" width_o="5787" height_o="1077" data-src="https://freight.cargo.site/t/original/i/13221c2a0d43ed949dcadf725bc7435b16bd78493fdcc717499d62bcc9c93091/5_anna-watzinger_artwork-3_apple-blood.jpg" data-mid="148427642" border="0" src="https://freight.cargo.site/w/1000/i/13221c2a0d43ed949dcadf725bc7435b16bd78493fdcc717499d62bcc9c93091/5_anna-watzinger_artwork-3_apple-blood.jpg" /> <img width="7723" height="2184" width_o="7723" height_o="2184" data-src="https://freight.cargo.site/t/original/i/a0c88473dde469b773bd3b571112078d0dc65da352cbd9da19268586c6e4d3f3/8_anna-watzinger_artwork-3_Kronprinzessin-Rudolfina-2-1220--performance-notgalerie-2020.jpg" data-mid="148427167" border="0" src="https://freight.cargo.site/w/1000/i/a0c88473dde469b773bd3b571112078d0dc65da352cbd9da19268586c6e4d3f3/8_anna-watzinger_artwork-3_Kronprinzessin-Rudolfina-2-1220--performance-notgalerie-2020.jpg" /> Photos © Anna Watzinger THE MALUS DOMESTICA ARCHIVE &nbsp; (2010-ongoing)Transmedial THE MALUS DOMESTICA ARCHIVE is a field research and archive in progress on the phenomenon, materiality and topic of&nbsp; the fruit apple. It represents an artistic field of experimentation and work-in-progress laboratory, in which the countless possible forms and levels of meaning of a thing are beeing explored by choosing the example of the apple. The apple as the main actor, material and projection screen of multifaceted processes of investigation and editing becomes the general and particular object of desire. On a meta-level, this approach can be understood as a half serious and ironic search for "the soul of the apple" and in doing so the fundamental question of the being of things ("Das Ding dingt", Martin Heidegger; Sein und Zeit) is raising. The ensoulment of (supposed) things as a way out of the crisis....In memory of the generality of modernity and the relativism of postmodernity, may one even dare to formulate something truthful about something? Or must one in view of the transhumanism literally become an apple in order to be able to give answers about beeing an apple?The fictitious goal would be: "all about the apple"! And the apple as a projection screen for enlightenment! (apple zen ;) But in any case, the apple as the&nbsp; r e a l&nbsp; big data… More info: https://annawatzinger.com/the-malus-domestica-archive/ https://femaleartistindexvienna.cargo.site/Antonia-Manhartsberger Sun, 07 Jul 2024 15:58:56 +0000 Female* Artist Index Vienna https://femaleartistindexvienna.cargo.site/Antonia-Manhartsberger ANTONIA MANHARTSBERGER “He makes us laugh, to make&nbsp;uslearn. <img width="2016" height="1512" width_o="2016" height_o="1512" data-src="https://freight.cargo.site/t/original/i/ece174f4b16bee7bc95aede3667d6faaba6aaf8d570d6c0d7af127fe51698994/Untitled-3.png" data-mid="214250127" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/ece174f4b16bee7bc95aede3667d6faaba6aaf8d570d6c0d7af127fe51698994/Untitled-3.png" /> There’s salvation in that.” - John Lahr, discussing Joe Orton’s play Loot &nbsp;#COMMONS&nbsp; &nbsp; &nbsp;#LANGUAGE&nbsp; &nbsp; &nbsp; &nbsp;#PERFORMANCE&nbsp; &nbsp; &nbsp; #SCULPTURE&nbsp; &nbsp; &nbsp;&nbsp;#VIDEO &nbsp; BIO. &nbsp; Charlotte Gash (b. 1994) is a British artist living and working in Vienna (AT). She studied Sculpture BA at Wimbledon College of Arts (UAL, London) and is currently completing her MA in Performative Kunst (Akademie der Bildender Kunst, Vienna). Gash takes inspiration from humorous, everyday situations, and translates them through the imitation of popular culture, whether it be through the style of a play, TV show, or mockumentary. Gash’s work takes the form of text, sculpture, performance and video. https://www.charlottegash.co.uk &nbsp; &nbsp; mail&nbsp; &nbsp; &nbsp;instagram Breeder or Sucker, The Tv Show (2022) Video &nbsp; Breeder or Sucker; The TV Show is a 40 minute video work, in the style of a TV show. The production is an art school based narrative, following the lives and failures of art school students. The viewer watches a group of young people who are struggling to secure an education; to be offered exhibitions; and to get laid. Each episode is played out through the eyes of Charlotte Gash, a character based on the artist’s semi-autobiographical experiences, as she attempts to make a TV show about being in art school, but distractions are slowing her down. The Breeder or Sucker; the TV show delves into the mundane “everyday” aspects of being an artist, overly dramatising the indulgent lifestyle of procrastinating and partying. The series is made up of 10 scripts, which will be staggered into 10 “episodes,” each 30-40 minutes in length. The scripts satirises situations of privilege and failure within the art school system, whilst unapologetically commenting on female sexuality. <img width="1989" height="1326" width_o="1989" height_o="1326" data-src="https://freight.cargo.site/t/original/i/559c7a204cfdce33cc1479ef5cfb9dd239a30259ed08f2a353da2969cd406e46/CharlotteGash_2_IMightAsWellBeALemon_2.jpg" data-mid="214250108" border="0" src="https://freight.cargo.site/w/1000/i/559c7a204cfdce33cc1479ef5cfb9dd239a30259ed08f2a353da2969cd406e46/CharlotteGash_2_IMightAsWellBeALemon_2.jpg" /> <img width="1989" height="1326" width_o="1989" height_o="1326" data-src="https://freight.cargo.site/t/original/i/cb5ecc72468269c9380c9caf5c1b805c2060a28a5248ba964f15f4207193ead7/CharlotteGash_2_IMightAsWellBeALemon_1.jpg" data-mid="214250107" border="0" src="https://freight.cargo.site/w/1000/i/cb5ecc72468269c9380c9caf5c1b805c2060a28a5248ba964f15f4207193ead7/CharlotteGash_2_IMightAsWellBeALemon_1.jpg" /> <img width="1989" height="1326" width_o="1989" height_o="1326" data-src="https://freight.cargo.site/t/original/i/af88789f084f5b969f7b9ce18c0626e9806024416923568ea10e01a7e3aa876c/CharlotteGash_2_IMightAsWellBeALemon_3.jpg" data-mid="214250109" border="0" src="https://freight.cargo.site/w/1000/i/af88789f084f5b969f7b9ce18c0626e9806024416923568ea10e01a7e3aa876c/CharlotteGash_2_IMightAsWellBeALemon_3.jpg" /> <img width="1989" height="1326" width_o="1989" height_o="1326" data-src="https://freight.cargo.site/t/original/i/f638bdc465e11aa74ad266bdd80a23080ce40621bedb5d9c1f600f98e2a960c8/CharlotteGash_2_IMightAsWellBeALemon_6.jpg" data-mid="214250112" border="0" src="https://freight.cargo.site/w/1000/i/f638bdc465e11aa74ad266bdd80a23080ce40621bedb5d9c1f600f98e2a960c8/CharlotteGash_2_IMightAsWellBeALemon_6.jpg" /> <img width="1989" height="1326" width_o="1989" height_o="1326" data-src="https://freight.cargo.site/t/original/i/fe3232d0968e44fd2c3c084a06fd4f3f86894c7ebd2d5eea8398d98671efaae9/CharlotteGash_2_IMightAsWellBeALemon_5.jpg" data-mid="214250111" border="0" src="https://freight.cargo.site/w/1000/i/fe3232d0968e44fd2c3c084a06fd4f3f86894c7ebd2d5eea8398d98671efaae9/CharlotteGash_2_IMightAsWellBeALemon_5.jpg" /> <img width="1989" height="1326" width_o="1989" height_o="1326" data-src="https://freight.cargo.site/t/original/i/60d20151dbdedbab871aaa326b9e9829d53a4e553da313b6312c21a510039806/CharlotteGash_2_IMightAsWellBeALemon_4.jpg" data-mid="214250110" border="0" src="https://freight.cargo.site/w/1000/i/60d20151dbdedbab871aaa326b9e9829d53a4e553da313b6312c21a510039806/CharlotteGash_2_IMightAsWellBeALemon_4.jpg" /> Photos: © Charlotte Gash I Might As Well Be A Lemon &nbsp;(2019)Performance / video I Might as Well be a Lemon is a 50 minute performance which is based on the structure of a play. It follows the Character Charlotte, whom finds herself in situations where she “feels like a lemon”; due to being talked over, patronised, and ignored. The set design and props imitates real life objects made from cardboard and plaster, accompanied with painted canvas backdrops for each scene. The documentation of the Performance is in the form of photographs, as well as a trailer in the form of a Behind the Scenes mockumentary style video work. Behind the Scenes imitates the confidence and delusion which some artists portray when discussing their work. Gash has adapted the script from a documentary by male artist Adam Green, called Aladdin: Behind the Scenes. Gash is fascinated by the way Adam Green describes himself as a genius and creator of “ready-made” aesthetic. Gash uses the voices of the performers in the play to speak through the cardboard props, to accentuate the absurdity. <img width="1200" height="798" width_o="1200" height_o="798" data-src="https://freight.cargo.site/t/original/i/6e3076343a97d875d99474caa8409b76d080c505869d0e3cdb8304729f1a5d06/CharlotteGash_3_BreederOrSucker_1.png" data-mid="214250113" border="0" src="https://freight.cargo.site/w/1000/i/6e3076343a97d875d99474caa8409b76d080c505869d0e3cdb8304729f1a5d06/CharlotteGash_3_BreederOrSucker_1.png" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/00db97bf327f430aef190ef35b194c8090fe877967562a0cf0839a97de556894/CharlotteGash_3_BreederOrSucker_4.png" data-mid="214250116" border="0" src="https://freight.cargo.site/w/1000/i/00db97bf327f430aef190ef35b194c8090fe877967562a0cf0839a97de556894/CharlotteGash_3_BreederOrSucker_4.png" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/976259a5547f6411a223ff470c2c4a3a8780b1ce9011a541c9be5c0dfff5931d/CharlotteGash_3_BreederOrSucker_2.png" data-mid="214250114" border="0" src="https://freight.cargo.site/w/1000/i/976259a5547f6411a223ff470c2c4a3a8780b1ce9011a541c9be5c0dfff5931d/CharlotteGash_3_BreederOrSucker_2.png" /> <img width="1200" height="790" width_o="1200" height_o="790" data-src="https://freight.cargo.site/t/original/i/8a55daa973d002011fd1cf91e28f09d7e5066a708a73c02649e94e6ff499fe7f/CharlotteGash_3_BreederOrSucker_3.png" data-mid="214250115" border="0" src="https://freight.cargo.site/w/1000/i/8a55daa973d002011fd1cf91e28f09d7e5066a708a73c02649e94e6ff499fe7f/CharlotteGash_3_BreederOrSucker_3.png" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/ff2fe492ce3e79550cc2b28a2ed9eadb7c5bde786e04b1ab52eab9c084e52c81/CharlotteGash_3_BreederOrSucker_5.png" data-mid="214250117" border="0" src="https://freight.cargo.site/w/1000/i/ff2fe492ce3e79550cc2b28a2ed9eadb7c5bde786e04b1ab52eab9c084e52c81/CharlotteGash_3_BreederOrSucker_5.png" /> <img width="1200" height="798" width_o="1200" height_o="798" data-src="https://freight.cargo.site/t/original/i/05d8355e451c8682fe271014c5647d2f02363d345e752795aa1f4844cd0eba11/CharlotteGash_3_BreederOrSucker_6.png" data-mid="214250118" border="0" src="https://freight.cargo.site/w/1000/i/05d8355e451c8682fe271014c5647d2f02363d345e752795aa1f4844cd0eba11/CharlotteGash_3_BreederOrSucker_6.png" /> Images: © Charlotte Gash Breeder or Sucker &nbsp;(2019)Performance / video Breeder or Sucker is a Performance in the style of a play, which follows art students finding openings; drugs and relationships. The performance is about an hour and a half long. The documentation is executed in the form of photo documentation, and a video in the style of a movie trailer. Originating as a script, the characters perform with the text whilst interacting with the cardboard and plaster stage design. The narrative follows Charlotte and her friends attend openings, discuss art, texts, and sex. The characters discuss typical topics that white middle class art students would, and later sexual encounters. Gash uses a humorous approach to highlight situations of dominance and power between the sexes, most notably in the “Orgasm Support Groups.” Inspired by the artists personal experiences, Breeder or Sucker attempts to satirise certain behaviours within the artistic cultural sphere, and the art world in general. https://femaleartistindexvienna.cargo.site/Celine-Struger Mon, 17 Apr 2023 14:44:21 +0000 Female* Artist Index Vienna https://femaleartistindexvienna.cargo.site/Celine-Struger CÉLINE STRUGER We are using up the earth. It is almost gone. ” &nbsp; &nbsp;&nbsp; - Margaret Atwood&nbsp;&nbsp; #ECOLOGY &nbsp;#INSTALLATION&nbsp; &nbsp;#SCULPTURE &nbsp;#PHOTOGRAPHY &nbsp; <img width="1111" height="1408" width_o="1111" height_o="1408" data-src="https://freight.cargo.site/t/original/i/aa8cc0421430a5eef8849a7bd852cd42913207e88df96b26b1a4a51352661578/Cline_Struger.png" data-mid="176044425" border="0" src="https://freight.cargo.site/w/1000/i/aa8cc0421430a5eef8849a7bd852cd42913207e88df96b26b1a4a51352661578/Cline_Struger.png" /> BIO. Céline Struger is an Austrian artist working in sculpture and site-specific art. Her focus lies on the redetermination of sites and their original genius loci, dealing with issues like postcapitalism, ecology and mythology. Struger often uses water as a sculptural medium and integrates found-, as well as hand-crafted objects into her sculptures and large-scale installations. The artist recently exhibited at gallery She BAM! Leipzig (solo) and Synagogue - Centre for Contemporary Art, Trnava (group show). In 2022 and 2021 she showed at MQ Art Box in Museumsquartier Vienna and Loggia Vienna (solo) and TEA Tenerife Espacio de las ArtArtesArtes (group show). Céline Struger is based in Vienna. https://www.celinestruger.com/ &nbsp; &nbsp; mail&nbsp; &nbsp; &nbsp;instagram&nbsp; &nbsp; facebook <img width="2200" height="1469" width_o="2200" height_o="1469" data-src="https://freight.cargo.site/t/original/i/f834393f1ed930684e234af6aeb1249b0f196b3963e7b8f480ed7683fb044c57/Cline-Struger_1_SOCIAL-RELIEF_Dotgain.jpg" data-mid="176039033" border="0" src="https://freight.cargo.site/w/1000/i/f834393f1ed930684e234af6aeb1249b0f196b3963e7b8f480ed7683fb044c57/Cline-Struger_1_SOCIAL-RELIEF_Dotgain.jpg" /> <img width="3000" height="2094" width_o="3000" height_o="2094" data-src="https://freight.cargo.site/t/original/i/8536f9876cb696639454f6d42a77dd08e263f802f86996b8e2db8cbcee433f41/Cline-Struger_1_SOCIAL-RELIEF_Dotgain_img3.jpg" data-mid="176039234" border="0" src="https://freight.cargo.site/w/1000/i/8536f9876cb696639454f6d42a77dd08e263f802f86996b8e2db8cbcee433f41/Cline-Struger_1_SOCIAL-RELIEF_Dotgain_img3.jpg" /> <img width="2002" height="3000" width_o="2002" height_o="3000" data-src="https://freight.cargo.site/t/original/i/5659aaf883c654734ff6c062d3a16fc3cb3523997b0e882142f5a9af147da96f/Cline-Struger_1_SOCIAL-RELIEF_Dotgain_img2.jpg" data-mid="176039237" border="0" src="https://freight.cargo.site/w/1000/i/5659aaf883c654734ff6c062d3a16fc3cb3523997b0e882142f5a9af147da96f/Cline-Struger_1_SOCIAL-RELIEF_Dotgain_img2.jpg" /> Photos: © Dogtain Social Relief / GEOSPIRIT &nbsp;(2022) Steel, water, stone, cast, ceramics My latest in situ work consisted of two equally large, kidney-shaped water basins rest on the floor, each with 2.30m high gargoyles attached. The mannerist-symbolist gargoyles eloquently combine familiar cultural-historical motifs with contemporary industrial forms. The gargoyles are crowned by ominous heads: a gargoyle with a Janus head as a tricorn opens up three visual axes to the room. One face is still, one screams, the third sticks its tongue out. The earth spirits want to draw attention, to show the limits to the appropriation of nature and its resources, which has been increasing since industrialisation. In the contradictory use of graceful ancient symbols and arte povera, I point out the unwelcome connection between high culture and decay and hints at premonitions of the end times. . <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/d582406fd458202c961d10389c5e7111ef8d29f7a2536560aa1f9a056e80785d/Cline-Struger_2_GOODBYE-HORSES-RECONSTRUCTION_Gerhard-Maurer.jpg" data-mid="176039320" border="0" src="https://freight.cargo.site/w/1000/i/d582406fd458202c961d10389c5e7111ef8d29f7a2536560aa1f9a056e80785d/Cline-Struger_2_GOODBYE-HORSES-RECONSTRUCTION_Gerhard-Maurer.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/cefc89605355736fdc01aef4a8205c2da964ffebd541f7ffb3ac8afdf18bd230/Cline-Struger_2_GOODBYE-HORSES-RECONSTRUCTION_FC_gerhard_maurer_img-2.jpg" data-mid="176039299" border="0" src="https://freight.cargo.site/w/1000/i/cefc89605355736fdc01aef4a8205c2da964ffebd541f7ffb3ac8afdf18bd230/Cline-Struger_2_GOODBYE-HORSES-RECONSTRUCTION_FC_gerhard_maurer_img-2.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/42e62eebdbc5c58585109ae7d2ffba179cbd915a89f68f0f51f65f8f33020fb3/Cline-Struger_2_GOODBYE-HORSES-RECONSTRUCTION_FC_gerhard_maurer_img-3.jpg" data-mid="176039355" border="0" src="https://freight.cargo.site/w/1000/i/42e62eebdbc5c58585109ae7d2ffba179cbd915a89f68f0f51f65f8f33020fb3/Cline-Struger_2_GOODBYE-HORSES-RECONSTRUCTION_FC_gerhard_maurer_img-3.jpg" /> Photos: © Gerhard Maurer GOODBYE HORSES RECONSTRUCTION &nbsp;(2021-201*)Steel, concrete, bitumen, sand The group of sculptures titled “Goodbye Horses RECONSTRUCTION” was presented as an intervention in public space on a staged building site. It simulates a paleontological excavation and served, among other things, as a stage set for a performance by sound artist Georg Zichy and dancer Thales Weilinger. The site specific installation plays on the relationship between social models of explanation for phenomena, facts and fiction. Background: the “Lindwurm” (“dragon”) sculpture is reckoned to be the first example of “paleo-art” world-wide. It was designed by sculptor Ulrich Vogelsang in 1590 on the basis of a fossil find discovered in 1335. According to current analysis this was the skull of a primeval woolly rhinoceros. “Goodbye Horses RECONSTRUCTION” alluded to the “sensationalismfactor” of this heraldic animal and aimed to cast its spell on the various groups of visitors to the town square Neuer Platz in Klagenfurt, Carinthia. <img width="2500" height="1666" width_o="2500" height_o="1666" data-src="https://freight.cargo.site/t/original/i/1965a6d2d4f8788ae90fa4bc729dc6012004ca9b5592b84d3173bb32b6c1ce20/Cline-Struger_3_-THE-CRYSTAL-LAND_Cline-Struger.jpg-.jpg" data-mid="176039430" border="0" src="https://freight.cargo.site/w/1000/i/1965a6d2d4f8788ae90fa4bc729dc6012004ca9b5592b84d3173bb32b6c1ce20/Cline-Struger_3_-THE-CRYSTAL-LAND_Cline-Struger.jpg-.jpg" /> <img width="12500" height="8331" width_o="12500" height_o="8331" data-src="https://freight.cargo.site/t/original/i/faa5e582638793d8b10f64f1da5005eeeaee3ae20dca7a427d13123f1b8fb3d0/Cline-Struger_2_THE-CRYSTAL-LAND_FC_Cline-Struger_img-2-low.jpg" data-mid="176039690" border="0" src="https://freight.cargo.site/w/1000/i/faa5e582638793d8b10f64f1da5005eeeaee3ae20dca7a427d13123f1b8fb3d0/Cline-Struger_2_THE-CRYSTAL-LAND_FC_Cline-Struger_img-2-low.jpg" /> <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/fb630f74f9034742ea419461781e5eb0333ce294191c7feb59d00c232fd2dece/Cline-Struger_3_-THE-CRYSTAL-LAND_Cline-Struger_img-3.jpg" data-mid="176039492" border="0" src="https://freight.cargo.site/w/1000/i/fb630f74f9034742ea419461781e5eb0333ce294191c7feb59d00c232fd2dece/Cline-Struger_3_-THE-CRYSTAL-LAND_Cline-Struger_img-3.jpg" /> Photos: © Céline Struger THE CRYSTAL LAND &nbsp;(2021) Steel, water, coloured touche In May 2021 I participated in an artist-in-residence at the Lauster quarry in Krastal, Austria. Lauster is a full operative marble quarry and besides those in Carrara, Italy, the most famous one for high-end white, translucent marble in Europe. I was invited along with the Berlin based artist Eva Funk to create a land art intervention on site. Within a month we started a collaboration with alpine paleontologist on an artist book and developed new and collective art works. In an interdisciplinary process, we explored the local flora, collaborated with geologists and paleontologists and investigated scientific questions by the means of contemporary art. Grasping the sites sheer scale and outer worldly atmosphere within our documentation turned out to be quite a challenge. To take photos, Eva Funk and I had to climb up 12 meters of stony walls to get the perfect shot. At the end of the day our bodies were shaking from the heights, the wind and the coldness of the stone. https://femaleartistindexvienna.cargo.site/Charlotte-Gash-1 Tue, 19 Jul 2022 16:24:49 +0000 Female* Artist Index Vienna https://femaleartistindexvienna.cargo.site/Charlotte-Gash-1 CHARLOTTE GASH&nbsp; “He makes us laugh, to make&nbsp;uslearn. <img width="2016" height="1512" width_o="2016" height_o="1512" data-src="https://freight.cargo.site/t/original/i/ece174f4b16bee7bc95aede3667d6faaba6aaf8d570d6c0d7af127fe51698994/Untitled-3.png" data-mid="152897279" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/ece174f4b16bee7bc95aede3667d6faaba6aaf8d570d6c0d7af127fe51698994/Untitled-3.png" /> There’s salvation in that.” - John Lahr, discussing Joe Orton’s play Loot &nbsp;#COMMONS&nbsp; &nbsp; &nbsp;#LANGUAGE&nbsp; &nbsp; &nbsp; &nbsp;#PERFORMANCE&nbsp; &nbsp; &nbsp; #SCULPTURE&nbsp; &nbsp; &nbsp;&nbsp;#VIDEO &nbsp; BIO. &nbsp; Charlotte Gash (b. 1994) is a British artist living and working in Vienna (AT). She studied Sculpture BA at Wimbledon College of Arts (UAL, London) and is currently completing her MA in Performative Kunst (Akademie der Bildender Kunst, Vienna). Gash takes inspiration from humorous, everyday situations, and translates them through the imitation of popular culture, whether it be through the style of a play, TV show, or mockumentary. Gash’s work takes the form of text, sculpture, performance and video. https://www.charlottegash.co.uk &nbsp; &nbsp; mail&nbsp; &nbsp; &nbsp;instagram Breeder or Sucker, The Tv Show (2022) Video &nbsp; Breeder or Sucker; The TV Show is a 40 minute video work, in the style of a TV show. The production is an art school based narrative, following the lives and failures of art school students. The viewer watches a group of young people who are struggling to secure an education; to be offered exhibitions; and to get laid. Each episode is played out through the eyes of Charlotte Gash, a character based on the artist’s semi-autobiographical experiences, as she attempts to make a TV show about being in art school, but distractions are slowing her down. The Breeder or Sucker; the TV show delves into the mundane “everyday” aspects of being an artist, overly dramatising the indulgent lifestyle of procrastinating and partying. The series is made up of 10 scripts, which will be staggered into 10 “episodes,” each 30-40 minutes in length. The scripts satirises situations of privilege and failure within the art school system, whilst unapologetically commenting on female sexuality. <img width="1989" height="1326" width_o="1989" height_o="1326" data-src="https://freight.cargo.site/t/original/i/559c7a204cfdce33cc1479ef5cfb9dd239a30259ed08f2a353da2969cd406e46/CharlotteGash_2_IMightAsWellBeALemon_2.jpg" data-mid="148231104" border="0" src="https://freight.cargo.site/w/1000/i/559c7a204cfdce33cc1479ef5cfb9dd239a30259ed08f2a353da2969cd406e46/CharlotteGash_2_IMightAsWellBeALemon_2.jpg" /> <img width="1989" height="1326" width_o="1989" height_o="1326" data-src="https://freight.cargo.site/t/original/i/cb5ecc72468269c9380c9caf5c1b805c2060a28a5248ba964f15f4207193ead7/CharlotteGash_2_IMightAsWellBeALemon_1.jpg" data-mid="148231101" border="0" src="https://freight.cargo.site/w/1000/i/cb5ecc72468269c9380c9caf5c1b805c2060a28a5248ba964f15f4207193ead7/CharlotteGash_2_IMightAsWellBeALemon_1.jpg" /> <img width="1989" height="1326" width_o="1989" height_o="1326" data-src="https://freight.cargo.site/t/original/i/af88789f084f5b969f7b9ce18c0626e9806024416923568ea10e01a7e3aa876c/CharlotteGash_2_IMightAsWellBeALemon_3.jpg" data-mid="148231105" border="0" src="https://freight.cargo.site/w/1000/i/af88789f084f5b969f7b9ce18c0626e9806024416923568ea10e01a7e3aa876c/CharlotteGash_2_IMightAsWellBeALemon_3.jpg" /> <img width="1989" height="1326" width_o="1989" height_o="1326" data-src="https://freight.cargo.site/t/original/i/f638bdc465e11aa74ad266bdd80a23080ce40621bedb5d9c1f600f98e2a960c8/CharlotteGash_2_IMightAsWellBeALemon_6.jpg" data-mid="148231119" border="0" src="https://freight.cargo.site/w/1000/i/f638bdc465e11aa74ad266bdd80a23080ce40621bedb5d9c1f600f98e2a960c8/CharlotteGash_2_IMightAsWellBeALemon_6.jpg" /> <img width="1989" height="1326" width_o="1989" height_o="1326" data-src="https://freight.cargo.site/t/original/i/fe3232d0968e44fd2c3c084a06fd4f3f86894c7ebd2d5eea8398d98671efaae9/CharlotteGash_2_IMightAsWellBeALemon_5.jpg" data-mid="148231118" border="0" src="https://freight.cargo.site/w/1000/i/fe3232d0968e44fd2c3c084a06fd4f3f86894c7ebd2d5eea8398d98671efaae9/CharlotteGash_2_IMightAsWellBeALemon_5.jpg" /> <img width="1989" height="1326" width_o="1989" height_o="1326" data-src="https://freight.cargo.site/t/original/i/60d20151dbdedbab871aaa326b9e9829d53a4e553da313b6312c21a510039806/CharlotteGash_2_IMightAsWellBeALemon_4.jpg" data-mid="148231114" border="0" src="https://freight.cargo.site/w/1000/i/60d20151dbdedbab871aaa326b9e9829d53a4e553da313b6312c21a510039806/CharlotteGash_2_IMightAsWellBeALemon_4.jpg" /> Photos: © Charlotte Gash I Might As Well Be A Lemon &nbsp;(2019)Performance / video I Might as Well be a Lemon is a 50 minute performance which is based on the structure of a play. It follows the Character Charlotte, whom finds herself in situations where she “feels like a lemon”; due to being talked over, patronised, and ignored. The set design and props imitates real life objects made from cardboard and plaster, accompanied with painted canvas backdrops for each scene. The documentation of the Performance is in the form of photographs, as well as a trailer in the form of a Behind the Scenes mockumentary style video work. Behind the Scenes imitates the confidence and delusion which some artists portray when discussing their work. Gash has adapted the script from a documentary by male artist Adam Green, called Aladdin: Behind the Scenes. Gash is fascinated by the way Adam Green describes himself as a genius and creator of “ready-made” aesthetic. Gash uses the voices of the performers in the play to speak through the cardboard props, to accentuate the absurdity. <img width="1200" height="798" width_o="1200" height_o="798" data-src="https://freight.cargo.site/t/original/i/6e3076343a97d875d99474caa8409b76d080c505869d0e3cdb8304729f1a5d06/CharlotteGash_3_BreederOrSucker_1.png" data-mid="148313419" border="0" src="https://freight.cargo.site/w/1000/i/6e3076343a97d875d99474caa8409b76d080c505869d0e3cdb8304729f1a5d06/CharlotteGash_3_BreederOrSucker_1.png" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/00db97bf327f430aef190ef35b194c8090fe877967562a0cf0839a97de556894/CharlotteGash_3_BreederOrSucker_4.png" data-mid="148313432" border="0" src="https://freight.cargo.site/w/1000/i/00db97bf327f430aef190ef35b194c8090fe877967562a0cf0839a97de556894/CharlotteGash_3_BreederOrSucker_4.png" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/976259a5547f6411a223ff470c2c4a3a8780b1ce9011a541c9be5c0dfff5931d/CharlotteGash_3_BreederOrSucker_2.png" data-mid="148313427" border="0" src="https://freight.cargo.site/w/1000/i/976259a5547f6411a223ff470c2c4a3a8780b1ce9011a541c9be5c0dfff5931d/CharlotteGash_3_BreederOrSucker_2.png" /> <img width="1200" height="790" width_o="1200" height_o="790" data-src="https://freight.cargo.site/t/original/i/8a55daa973d002011fd1cf91e28f09d7e5066a708a73c02649e94e6ff499fe7f/CharlotteGash_3_BreederOrSucker_3.png" data-mid="148313430" border="0" src="https://freight.cargo.site/w/1000/i/8a55daa973d002011fd1cf91e28f09d7e5066a708a73c02649e94e6ff499fe7f/CharlotteGash_3_BreederOrSucker_3.png" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/ff2fe492ce3e79550cc2b28a2ed9eadb7c5bde786e04b1ab52eab9c084e52c81/CharlotteGash_3_BreederOrSucker_5.png" data-mid="148313434" border="0" src="https://freight.cargo.site/w/1000/i/ff2fe492ce3e79550cc2b28a2ed9eadb7c5bde786e04b1ab52eab9c084e52c81/CharlotteGash_3_BreederOrSucker_5.png" /> <img width="1200" height="798" width_o="1200" height_o="798" data-src="https://freight.cargo.site/t/original/i/05d8355e451c8682fe271014c5647d2f02363d345e752795aa1f4844cd0eba11/CharlotteGash_3_BreederOrSucker_6.png" data-mid="148313436" border="0" src="https://freight.cargo.site/w/1000/i/05d8355e451c8682fe271014c5647d2f02363d345e752795aa1f4844cd0eba11/CharlotteGash_3_BreederOrSucker_6.png" /> Images: © Charlotte Gash Breeder or Sucker &nbsp;(2019)Performance / video Breeder or Sucker is a Performance in the style of a play, which follows art students finding openings; drugs and relationships. The performance is about an hour and a half long. The documentation is executed in the form of photo documentation, and a video in the style of a movie trailer. Originating as a script, the characters perform with the text whilst interacting with the cardboard and plaster stage design. The narrative follows Charlotte and her friends attend openings, discuss art, texts, and sex. The characters discuss typical topics that white middle class art students would, and later sexual encounters. Gash uses a humorous approach to highlight situations of dominance and power between the sexes, most notably in the “Orgasm Support Groups.” Inspired by the artists personal experiences, Breeder or Sucker attempts to satirise certain behaviours within the artistic cultural sphere, and the art world in general. https://femaleartistindexvienna.cargo.site/Christine-Schorkhuber Wed, 27 Jan 2021 17:06:49 +0000 Female* Artist Index Vienna https://femaleartistindexvienna.cargo.site/Christine-Schorkhuber <img width="1580" height="1512" width_o="1580" height_o="1512" data-src="https://freight.cargo.site/t/original/i/c7296d287af5b3b4e6032bd710ecf1a5c54f514809aba4c9ff75eb8f2bec2b4a/christine.png" data-mid="152894860" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/c7296d287af5b3b4e6032bd710ecf1a5c54f514809aba4c9ff75eb8f2bec2b4a/christine.png" /> CHRISTINE SCHÖRKHUBER&nbsp; “Es ist von Gewicht welche Beziehungen Beziehungen&nbsp;knüpfen.&nbsp; Es ist von Gewicht welche&nbsp;Welten&nbsp;Welten&nbsp;verweltlichen.”&nbsp; Donna Haraway #ARTS-BASED RESEARCH &nbsp; &nbsp; #BODY&nbsp; &nbsp;#COMMONS&nbsp; &nbsp; &nbsp; #ELECTRONICS&nbsp; &nbsp;#FABULATION&nbsp; &nbsp; &nbsp; #GENDER&nbsp; &nbsp; &nbsp;#HACKING &nbsp; &nbsp; #SOUND&nbsp; &nbsp;&nbsp;#INSTALLATION &nbsp; #INTERACTIVE &nbsp; &nbsp;&nbsp; &nbsp;#ONTOLOGY&nbsp; &nbsp; &nbsp;#SCIENCE BIO. Graduated at the Academy of Fine Arts, Vienna, in 2008. She is currently living and working as sound and media artist, video maker and musician based in Vienna. She realizes big sound installations in public space as well as video art, musical composition and silentnoise performances. The artist is mainly interested in close listening, in the intersections of audio and visual arts and the dynamics of relations and systems on individual, sociopolitical and technological level. Various exhibitions, performances and residencies in national and international context, New Austrian Sound of Music Grant 2014/2015, Recognition Awards for Media Arts, Lower Austria, 2019. &nbsp; www.chschoe.net mail&nbsp; &nbsp; facebook&nbsp; &nbsp; instagram <img width="2500" height="1875" width_o="2500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/04d9f984f48e291cff9ee431ee34e0b1ff26516fafab300e21505da5e7890090/ChristineSchrkhuber_Cloud_ArnoldHaberl3.jpg" data-mid="96690149" border="0" src="https://freight.cargo.site/w/1000/i/04d9f984f48e291cff9ee431ee34e0b1ff26516fafab300e21505da5e7890090/ChristineSchrkhuber_Cloud_ArnoldHaberl3.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/5cb708a329f5611ee4fabe530c6eaad9811e2bf7228ad3128df3a52ad547eca9/ChristineSchrkhuber_Cloud_ArnoldHaberl.jpg" data-mid="96690143" border="0" src="https://freight.cargo.site/w/1000/i/5cb708a329f5611ee4fabe530c6eaad9811e2bf7228ad3128df3a52ad547eca9/ChristineSchrkhuber_Cloud_ArnoldHaberl.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/b0c4a9fcf1d527ecaa47e1aca2e5c5165068f2ea1ff795051ceca731fa4b7a91/ChristineSchrkhuber_Cloud_ArnoldHaberl2.jpg" data-mid="96690144" border="0" src="https://freight.cargo.site/w/1000/i/b0c4a9fcf1d527ecaa47e1aca2e5c5165068f2ea1ff795051ceca731fa4b7a91/ChristineSchrkhuber_Cloud_ArnoldHaberl2.jpg" /> Photos: © Arnold Haberl Gefüge&nbsp;/Cloud&nbsp; &nbsp;&nbsp;(2019) Electronics, metal mesh &nbsp; “Cloud“ is an anthropomorphic, kinetic sculpture made of metal mesh, that enrolls a momentary social constellation, but also follows its own, pulsating logic. The mesh reacts to changes in the electric &nbsp;eld caused by the presence of people and other factors in the room. This generates breathing movements, that vary in intensity and direction and manifest in the shape of the metal mesh over a longer period of time. Contrasting the heavy materiality of the metal, the sculpture forms a &nbsp;oating object in a random accumulation of &nbsp;ne, conductive threads in motion. The mesh becomes vivid matter,&nbsp;apparently essential,&nbsp;and re ects a reference&nbsp;system&nbsp;of&nbsp;anthropomorphic interpretation. &nbsp; &nbsp; Electricity&nbsp;is&nbsp;not&nbsp;just&nbsp;a&nbsp;tool&nbsp;or&nbsp;a&nbsp;means&nbsp;to&nbsp;an&nbsp;end,&nbsp;it&nbsp;is&nbsp;artistic&nbsp;material&nbsp;and&nbsp;as&nbsp;a&nbsp;physical&nbsp;medium&nbsp;a&nbsp;central&nbsp;player&nbsp;in&nbsp;the&nbsp;object.&nbsp;Donna&nbsp;Haraway&nbsp;calls&nbsp;this&nbsp;an&nbsp;„inorganic&nbsp;negotiator&nbsp;in&nbsp;processes&nbsp;and&nbsp;structures. <img width="1484" height="1093" width_o="1484" height_o="1093" data-src="https://freight.cargo.site/t/original/i/6960a169bbfab990f22e42a42b56d6bf2fee917708296e81819acc5fc4f1ee02/ChristineSchrkhuber_SSomethingintheAir_Emotion---The-TechnobodyDamian-Griffiths.jpg" data-mid="96690150" border="0" src="https://freight.cargo.site/w/1000/i/6960a169bbfab990f22e42a42b56d6bf2fee917708296e81819acc5fc4f1ee02/ChristineSchrkhuber_SSomethingintheAir_Emotion---The-TechnobodyDamian-Griffiths.jpg" /> <img width="4608" height="3456" width_o="4608" height_o="3456" data-src="https://freight.cargo.site/t/original/i/343b42eee2c51c8af02880b0ab8bb0acaa8ba7d61c0d9060ea81c250606317f3/ChristineSchrkhuber_SomethingintheAir_noid.jpg" data-mid="96690153" border="0" src="https://freight.cargo.site/w/1000/i/343b42eee2c51c8af02880b0ab8bb0acaa8ba7d61c0d9060ea81c250606317f3/ChristineSchrkhuber_SomethingintheAir_noid.jpg" /> Photos: © Damian Griffiths Something&nbsp;in&nbsp;the&nbsp;Air&nbsp; (2017)Fans, Wood, Electricity The object&nbsp;transforms&nbsp;the&nbsp;acoustic&nbsp;sound&nbsp;of&nbsp;human&nbsp;speech&nbsp;into&nbsp;the&nbsp;haptic&nbsp;experience&nbsp;of&nbsp;air&nbsp;movement. A recording of a spoken text is applied on the power control circuit of fans and thereby generates wind out of words. By the sound of the rotating engines and the floating air, the phonemes can be perceived as whispering schemes even without loudspeakers and thus refer to the nature of the articulated language&nbsp;in&nbsp;a&nbsp;physical&nbsp;sense. <img width="1296" height="1080" width_o="1296" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f5eb47c45fa0ada625c6e31ed784273edc77ec6443180a53e6a3fb6bc41159c8/Christineschrkhuber_SonicCaret_ChristineSchrkhuber.jpg" data-mid="96690154" border="0" src="https://freight.cargo.site/w/1000/i/f5eb47c45fa0ada625c6e31ed784273edc77ec6443180a53e6a3fb6bc41159c8/Christineschrkhuber_SonicCaret_ChristineSchrkhuber.jpg" /> <img width="500" height="375" width_o="500" height_o="375" data-src="https://freight.cargo.site/t/original/i/3140273f89b24bf176d68dc8bde2bfebce09e1b81a2d7778dbb051fd9454595b/ChristineSchrkhuber_soniccarpet_ChristineSchrkhuber.jpg" data-mid="96690157" border="0" src="https://freight.cargo.site/w/500/i/3140273f89b24bf176d68dc8bde2bfebce09e1b81a2d7778dbb051fd9454595b/ChristineSchrkhuber_soniccarpet_ChristineSchrkhuber.jpg" /> <img width="500" height="281" width_o="500" height_o="281" data-src="https://freight.cargo.site/t/original/i/6863b3ed3054a9d00b31a2a000d716284f80c5c640414ff7a49e8ac0f3099f9c/ChristineSchrkhuber_SonicCarpet_ChristineSchrkhuber.jpeg" data-mid="96690156" border="0" src="https://freight.cargo.site/w/500/i/6863b3ed3054a9d00b31a2a000d716284f80c5c640414ff7a49e8ac0f3099f9c/ChristineSchrkhuber_SonicCarpet_ChristineSchrkhuber.jpeg" /> Photos: © Christine Schörkhuber Geräuschteppich/Sonic&nbsp;Carpet &nbsp; (2019)Carpet,&nbsp;Sound,&nbsp;Microcontrollers The&nbsp;noise&nbsp;carpet&nbsp;is&nbsp;an&nbsp;environment&nbsp;for&nbsp;active&nbsp;listeners&nbsp;-&nbsp;experiencing&nbsp;an&nbsp;electroacoustic&nbsp;concert.&nbsp;The&nbsp;carpet&nbsp;as&nbsp;a&nbsp;furnishing&nbsp;object,&nbsp;warming&nbsp;surface,&nbsp;room&nbsp;divider&nbsp;and&nbsp;generally&nbsp;inconspicuous&nbsp;everyday&nbsp;object.&nbsp;Here&nbsp;it&nbsp;becomes&nbsp;the&nbsp;center&nbsp;a&nbsp;staged&nbsp;szenario,&nbsp;taking&nbsp;up&nbsp;the&nbsp;expectable&nbsp;and&nbsp;speculating&nbsp;with&nbsp;the&nbsp;unexpectable. Pressure sensors under the carpet control a modular composition, its form and interaction is determined by the audience. Walking, standing, lying down and sitting triggers different constellations and sound fields. The noise carpet is a collective, space and situation-related electronic instrument that is played by the visitors through their movements.&nbsp; https://femaleartistindexvienna.cargo.site/Claudia-Larcher Wed, 27 Jan 2021 17:06:52 +0000 Female* Artist Index Vienna https://femaleartistindexvienna.cargo.site/Claudia-Larcher <img width="3580" height="4139" width_o="3580" height_o="4139" data-src="https://freight.cargo.site/t/original/i/b4b4c245d1365914910f6da7dc49fe4969cffd0aabbf12a1e87c74a7793ee523/claudia.png" data-mid="152926554" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/b4b4c245d1365914910f6da7dc49fe4969cffd0aabbf12a1e87c74a7793ee523/claudia.png" /> CLAUDIA LARCHER&nbsp; “Stay positive and be your own boss!” #ANIMATION&nbsp; &nbsp; &nbsp;&nbsp;#COLLAGE&nbsp; &nbsp; &nbsp;#BODY&nbsp; &nbsp;&nbsp;#INSTALLATION&nbsp; &nbsp; &nbsp;#PHOTOGRAPHY &nbsp; #MULTIMEDIA&nbsp; &nbsp;&nbsp;#VIDEO &nbsp; #ECOLOGY&nbsp; &nbsp;#PERCEPTION BIO. &nbsp;Claudia Larcher is a visual artist with a focus in (site specific) video animation, collage, photography and installation. From 2001 to 2008 she studied «Transmedia Art» at the University of Applied Arts in Vienna. Since 2005 she has participated in various group exhibitions and festivals in Austria and abroad and presented her work in solo and group exhibitions: f.e. Tokyo Wonder Site Japan, Slought Foundation Philadelphia, Weimar Art Festival, Centre Pompidou Paris, Museum of Contemporary Art/ Roskilde, steirischer Herbst in Graz, Manifesta 13 and Anthology Film Archives in NYC. In 2019, a monograph with Claudia Larcher‘s work has been published by deGruyter. www.claudialarcher.com &nbsp; &nbsp; mail&nbsp; &nbsp; &nbsp;instagram&nbsp; &nbsp; facebook &nbsp; other <img width="4096" height="2731" width_o="4096" height_o="2731" data-src="https://freight.cargo.site/t/original/i/f24d03cdf1b0495fa4a1fe21bb31e9566d1dba6118b0330de1c60aafa2548fbf/ClaudiaLarcher_1_face2face-Masks.jpg" data-mid="96690205" border="0" src="https://freight.cargo.site/w/1000/i/f24d03cdf1b0495fa4a1fe21bb31e9566d1dba6118b0330de1c60aafa2548fbf/ClaudiaLarcher_1_face2face-Masks.jpg" /> <img width="4096" height="2731" width_o="4096" height_o="2731" data-src="https://freight.cargo.site/t/original/i/6654e4af9c3fcd4a58bca7d2d01d9f7cf0f8e69a9624345cc274aaf1e12a810a/ClaudiaLarcher_1_face2face-Masks4.jpg" data-mid="96690208" border="0" src="https://freight.cargo.site/w/1000/i/6654e4af9c3fcd4a58bca7d2d01d9f7cf0f8e69a9624345cc274aaf1e12a810a/ClaudiaLarcher_1_face2face-Masks4.jpg" /> <img width="4096" height="2958" width_o="4096" height_o="2958" data-src="https://freight.cargo.site/t/original/i/faf24097cadde2206e92f3d5861670dc90376a19f718da3e7b4e3024831d72ed/ClaudiaLarcher_1_face2face-Masks3.jpg" data-mid="96690210" border="0" src="https://freight.cargo.site/w/1000/i/faf24097cadde2206e92f3d5861670dc90376a19f718da3e7b4e3024831d72ed/ClaudiaLarcher_1_face2face-Masks3.jpg" /> <img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/252dd0f2894f8971fc34ddc1c37823032246d34dbb13fae5b5ac9e10cb8599f1/ClaudiaLarcher_1_face2face-TheNurses.jpg" data-mid="96690209" border="0" src="https://freight.cargo.site/w/1000/i/252dd0f2894f8971fc34ddc1c37823032246d34dbb13fae5b5ac9e10cb8599f1/ClaudiaLarcher_1_face2face-TheNurses.jpg" /> <img width="4096" height="2731" width_o="4096" height_o="2731" data-src="https://freight.cargo.site/t/original/i/5c4d88c4cad0ab39fcabbf91b70acd0df2477656ec64372079de11568ffffe5f/ClaudiaLarcher_1_face2face-Masks2.jpg" data-mid="96690206" border="0" src="https://freight.cargo.site/w/1000/i/5c4d88c4cad0ab39fcabbf91b70acd0df2477656ec64372079de11568ffffe5f/ClaudiaLarcher_1_face2face-Masks2.jpg" /> Photos: © Claudia Larcher Claudia Larcher - face2face: Dramatis Personae from Claudia Larcher on Vimeo. face2face (2019) Installation&nbsp; Claudia Larcher’s face2face project is based on a selection of eight popular emoji variants, as we probably all use them in chats: a laughing tearful, a stirred, a lovingly thoughtful, a smiling, a neutral looking, a happy-cheeky, an unhappy and one in love. In November 2019, Larcher had these digital pictograms translated into analogs by Sinhala mask carvers as part of an artist-in-residence program in cooperation with the one world foundation in Sri Lanka. The town of Ambalangoda on the western south coast of Sri Lanka is famous for its traditional mask carving. The masks produced there were originally used by the population for dance rituals to drive away evil demons, but today they are used more for tourist purposes. Larcher had the eight emoticons carved as masks in a traditional way and therefore associated them with signs and rituals that – actually – could not be more different. And yet there is a common link: the reference to the mask as a symbol for the loss of the (natural) <img width="4096" height="1405" width_o="4096" height_o="1405" data-src="https://freight.cargo.site/t/original/i/4ef764262e2029472368b0b3852d55dc74efd48fbb1fdf305ce80248017eb659/ClaudiaLarcher_2_ORE_filmstill02.jpg" data-mid="96690211" border="0" src="https://freight.cargo.site/w/1000/i/4ef764262e2029472368b0b3852d55dc74efd48fbb1fdf305ce80248017eb659/ClaudiaLarcher_2_ORE_filmstill02.jpg" /> <img width="4096" height="1405" width_o="4096" height_o="1405" data-src="https://freight.cargo.site/t/original/i/dc3d57d19222d5226430c68f3c3b950d28927733a474e985412ab228e3258400/ClaudiaLarcher_2_ORE_filmstill01.jpg" data-mid="96690213" border="0" src="https://freight.cargo.site/w/1000/i/dc3d57d19222d5226430c68f3c3b950d28927733a474e985412ab228e3258400/ClaudiaLarcher_2_ORE_filmstill01.jpg" /> Photos: © Claudia Larcher Ore &nbsp;(2018)Video animation, video installation ORE is an experimental film about the appropriation of the planet by humans. Using the example of large mining areas, such as the Styrian ore mine (Erzberg) and the Japanese sulphur mine in the Hakone region, the film aims to make the transformation of nature and the process of mining work tangible. The British philosopher Timothy Morton coined the term "hyper-objects "* to describe things that survive space and time, such as climate change, capitalism, a black hole or an oil field. Hyperobjects explore the commonalities of entities that are characterized by large spatial and temporal dimensions.ORE is an approach to such a hyperobject that goes beyond all calculations. The effects of mineral extraction on ecosystems and the human body are still very unclear scientifically, which led me to consider mining as a kind of hyper-object that defies the limits of our traditional thinking. ORE explores relationships between minerals, the miners, the human body, the landscape, noise, rare earths, the economy, consumer forces, territorial and technical desires, and the products of our digital age. <img width="2362" height="1329" width_o="2362" height_o="1329" data-src="https://freight.cargo.site/t/original/i/174bb2a2f23534e047d8d30c462f153e95de9c8caf5652e543655cace9af2d2a/ClaudiaLarcher_3_Self_filmstill01.jpg" data-mid="96690218" border="0" src="https://freight.cargo.site/w/1000/i/174bb2a2f23534e047d8d30c462f153e95de9c8caf5652e543655cace9af2d2a/ClaudiaLarcher_3_Self_filmstill01.jpg" /> <img width="2362" height="1329" width_o="2362" height_o="1329" data-src="https://freight.cargo.site/t/original/i/3d87a7b7549038ceab94fd3c1fa8d9fd3c2db9653bc65a08153e60ea0ac64757/ClaudiaLarcher_3_Self_filmstill02.jpg" data-mid="96690216" border="0" src="https://freight.cargo.site/w/1000/i/3d87a7b7549038ceab94fd3c1fa8d9fd3c2db9653bc65a08153e60ea0ac64757/ClaudiaLarcher_3_Self_filmstill02.jpg" /> <img width="4096" height="2734" width_o="4096" height_o="2734" data-src="https://freight.cargo.site/t/original/i/1ce6697b1133910a0c267e9ea50475eebca78c900ca8ef1f95a4e399dd82ec7c/ClaudiaLarcher_3_Self_exhibitionview.jpg" data-mid="96690214" border="0" src="https://freight.cargo.site/w/1000/i/1ce6697b1133910a0c267e9ea50475eebca78c900ca8ef1f95a4e399dd82ec7c/ClaudiaLarcher_3_Self_exhibitionview.jpg" /> <img width="2362" height="1329" width_o="2362" height_o="1329" data-src="https://freight.cargo.site/t/original/i/7b37563ad5045d5a71a4ffe554d24ca26381e57df394a0cf0582d34c1be355c9/ClaudiaLarcher_3_Self_filmstill03.jpg" data-mid="96690217" border="0" src="https://freight.cargo.site/w/1000/i/7b37563ad5045d5a71a4ffe554d24ca26381e57df394a0cf0582d34c1be355c9/ClaudiaLarcher_3_Self_filmstill03.jpg" /> Photos: © Claudia Larcher Claudia Larcher - SELF (excerpt) from Claudia Larcher on Vimeo. Self &nbsp;(2015)Video animation The skin is the body´s largest sense organ: delicate and at the same time extremely robust, it has to fulfill various functions, from excretion through to storage of nutrients. Although one hopes to shed it at a metaphorical level, it simultaneously serves as the bearer of our identity, which can be written on, marked, and changed. It is more than simply a shell, more than a border between inside and outside, it is the self, (not only) in Larcher´s video.A laconic-analytical camera pan shows a close-up of it at the beginning: pores, fine hairs, a mesh of blue veins that shine through the delicate membrane. In what follows, details yield a whole, and one seems to recognize neck, armpit, and upper arm. Suggested here is an interior that this skin stretches around. But suddenly there are "wrong" extensions, "impossible" elongations and overlaps. The border between inside and outside is successively dissolved and flows into a "liquefaction" of the image in whose blurriness, pink masses multiply and caverns protrude until the camera returns to the start again. &nbsp; https://femaleartistindexvienna.cargo.site/Claudia-Sandoval-Romero Wed, 20 Jul 2022 13:58:26 +0000 Female* Artist Index Vienna https://femaleartistindexvienna.cargo.site/Claudia-Sandoval-Romero CLAUDIA SANDOVAL ROMERO&nbsp; BIO. I am claudia sandoval romero*, an Austrian-Colombian journalist and artist in search of her* collective identity. My artistic position has developed through the use of media such as photography, text and video, combining sociological methods with collective creation. The core of my proposal is a reflection on institutional critique, feminism* and diaspora, from a decolonial perspective. My approach to art is nurtured by the driving force of creating of pedagogical spaces where horizontal exchange can take place, as well as contributing to debates about loss, mourning and restitution of women* having been denied a position in the art field. I am currently writing my dissertation at the Academy of Fine Arts in Vienna, supported by a DOC Fellowship of the Austrian Academy of Sciences. #ARTS-BASED RESEARCH &nbsp; &nbsp; &nbsp; &nbsp; #COMMONS &nbsp; &nbsp; &nbsp; &nbsp; #FABULATION &nbsp; &nbsp; &nbsp; #INSTALLATION &nbsp; &nbsp; #GENDER &nbsp;&nbsp; &nbsp; #NEO-COLONIAL <img width="1152" height="1304" width_o="1152" height_o="1304" data-src="https://freight.cargo.site/t/original/i/02ae1fe6c81f5975de8da85ec67af40cd130585ad5a883328fa3cc498c3a4808/portrait-Claudia-Sandoval-Romero.png" data-mid="152926943" border="0" src="https://freight.cargo.site/w/1000/i/02ae1fe6c81f5975de8da85ec67af40cd130585ad5a883328fa3cc498c3a4808/portrait-Claudia-Sandoval-Romero.png" /> “As I write,&nbsp;I become the narrator &nbsp; of my own reality&nbsp;(...) I become the absolute opposition of what the colonial project has pretedermined” Grada Kilomba &nbsp; www.claudiasandovalromero.com mail &nbsp; &nbsp; instagram &nbsp; &nbsp; linkedin &nbsp; &nbsp; vimeo <img width="3544" height="2123" width_o="3544" height_o="2123" data-src="https://freight.cargo.site/t/original/i/ebdfa9efb5e194db6beb76f4c7a6648fcd095c996a47ce7757c114c300e9cefa/SandovalRomero_1_2_StrategiesofVisibilization_ClaudiaSandovalRomero.jpg" data-mid="148315464" border="0" src="https://freight.cargo.site/w/1000/i/ebdfa9efb5e194db6beb76f4c7a6648fcd095c996a47ce7757c114c300e9cefa/SandovalRomero_1_2_StrategiesofVisibilization_ClaudiaSandovalRomero.jpg" /> <img width="4096" height="856" width_o="4096" height_o="856" data-src="https://freight.cargo.site/t/original/i/0c6a26585435b3069eb1ec14bc5d5b96359e58d3cd4ba293a7927e7886c68ed0/SandovalRomero_1_StrategiesofVisibilization_ClaudiaSandovalRomero.jpg" data-mid="148315517" border="0" src="https://freight.cargo.site/w/1000/i/0c6a26585435b3069eb1ec14bc5d5b96359e58d3cd4ba293a7927e7886c68ed0/SandovalRomero_1_StrategiesofVisibilization_ClaudiaSandovalRomero.jpg" /> Photos: © Claudia Sandoval Romero &nbsp; Strategies of Visibilization&nbsp; &nbsp; &nbsp; &nbsp;(2021) Spatial Installation / Paper banners “Strategies of Visibilization” is a spatial installation that consists of the complete listing of artists who participated in exhibitions at the Museum moderner Kunst Stiftung Ludwig Wien-mumok between 1998 and 2018. The analysis carried out compares proportions of participation by gender and geopolitical origin. Alain Quemin(2006) describes the center of the art field as compound by the United States and Europe, or more precisely by a few western European countries with Germany at the core, followed by UK, France and Italy and sometimes Switzerland; countries that are among the world’s richest nations. The proposal aims to participate in the discussion of positioning, privilege, power relations and representation in the museological context. In words of Hito Steyerl(2011): “why shouldn’t the cultural institution be at least as representative as parliamentary democracy? Why shouldn’t it include, for example, women in its canon, if women were at least in theory accepted in parliament?” This installation adds, "Why should the cultural institution not include women from the 'global south' in its canon? <img width="2382" height="1340" width_o="2382" height_o="1340" data-src="https://freight.cargo.site/t/original/i/4d110a8547a75d5e572d6de8dae2f000e258f7e50237b1ff635a8b5a3c6077fd/SandovalRomero_2_MotherhoodintheArtWorld_ClaudiaSandovalRomero.jpg" data-mid="148315623" border="0" src="https://freight.cargo.site/w/1000/i/4d110a8547a75d5e572d6de8dae2f000e258f7e50237b1ff635a8b5a3c6077fd/SandovalRomero_2_MotherhoodintheArtWorld_ClaudiaSandovalRomero.jpg" /> <img width="2500" height="1768" width_o="2500" height_o="1768" data-src="https://freight.cargo.site/t/original/i/224ffc2b631a0b006ffe73233328ad6c7ae42fa183dd30355f19a7f5e6fd7329/SandovalRomero_2_2_MotherhoodintheArtWorld_ClaudiaSandovalRomero.png" data-mid="148315805" border="0" src="https://freight.cargo.site/w/1000/i/224ffc2b631a0b006ffe73233328ad6c7ae42fa183dd30355f19a7f5e6fd7329/SandovalRomero_2_2_MotherhoodintheArtWorld_ClaudiaSandovalRomero.png" /> Images: © Claudia Sandoval Romero Motherhood in the Art World &nbsp;(2015) Video / Book Motherhood in the Art World consists of a two-part exercise: on the one hand, the book deals with pioneering positions on motherhood that emerged between 1960 and 1970, from the perspective of mother artists. Through the presentation of works of around 30 artists, the subject of “Motherhood in the Art World” is connected to the politics of representation, voicing and the gaze, as well as migration and capitalism. The investigation addresses the role of mother artists in art history, reflecting on both the contemporary positions of migrant artists and particular aesthetics that emerged from these perspectives. On the other hand, the video consists of interviews with artists and a curator who discuss precarious living conditions of the art world, and the complexity of finding a balance between life and work in the art field. The artists interviewed are Renate Bertlmann, Regina José Galindo, Christine Hohenbüchler, Stephanie Misa, Tanja Ostojic and Signe Rose, as well as the curator and art historian Vanessa Joan-Müller. <img width="2731" height="4096" width_o="2731" height_o="4096" data-src="https://freight.cargo.site/t/original/i/0d3b9d36d47b30b3a916df49b585a5be77cba4917f567a22df8e913007972d63/SandovalRomero_3_2_InterventiontoVienna_ClaudiaSandovalRomero.jpg" data-mid="148316067" border="0" src="https://freight.cargo.site/w/1000/i/0d3b9d36d47b30b3a916df49b585a5be77cba4917f567a22df8e913007972d63/SandovalRomero_3_2_InterventiontoVienna_ClaudiaSandovalRomero.jpg" /> <img width="4096" height="2671" width_o="4096" height_o="2671" data-src="https://freight.cargo.site/t/original/i/5d40b540ee01f0296bc0236d7cf93263bf311665cdddf1cc8fd4491a76f2efc9/SandovalRomero_3_InterventiontoVienna_ClaudiaSandovalRomero.jpg" data-mid="148316076" border="0" src="https://freight.cargo.site/w/1000/i/5d40b540ee01f0296bc0236d7cf93263bf311665cdddf1cc8fd4491a76f2efc9/SandovalRomero_3_InterventiontoVienna_ClaudiaSandovalRomero.jpg" /> Images: © Claudia Sandoval Romero Intervention to Vienna (2021) Installation / Print In Intervention to Vienna large-format prints of landscapes from Colombia and Brazil are placed as temporary additions to the site. The graphic result reinscribes the landscape in the context of creating intimate fictions. It also seeks to draw attention to the diasporic component in the exercise of identity building. The gaze and forced migration are addressed here, aiming to create a dialog with Fernando Pessoa’s poem “O Guardador de Rebanhos”, “The Herd Keeper”: “(…)What a pity I feel for him. He was a peasant Who was a prisoner in liberty in the city. But the way he looked at the houses, And the way he looked at the streets, And the way he was interested in things, Is that of one who looks at the trees And of one who lowers his eyes down the street where he goes And walks observing the flowers that are in the fields”